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Printers emblem of Robert Estienne, Paris, 1526 (woodcut)
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Printers emblem of Robert Estienne, Paris, 1526 (woodcut)
CHT418495 Printers emblem of Robert Estienne, Paris, 1526 (woodcut) by French School, (16th century); Private Collection; (add.info.: Robert Estienne (1503-59) French humanist publisher and printer; colophon depicts an olive tree with branches falling to the ground and the latin motto Noli altum sapere ( Do not become proud ); printer to the King (Francois Ier (1494-1547); later moved to Geneva and published the French Bible in 1553 and much of the writing of Calvin; ); eArchives Charmet; French, out of copyright
Media ID 23160212
© Archives Charmet / Bridgeman Images
Device Humanism Reformation Renascence Scholar
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EDITORS COMMENTS
This print showcases the printers emblem of Robert Estienne, a renowned French humanist publisher and printer from the 16th century. The woodcut, created in Paris in 1526, depicts an olive tree with branches gracefully falling to the ground. At first glance, one might be struck by its simplicity, but upon closer inspection, it reveals a profound message. The Latin motto inscribed on this emblem is "Noli altum sapere" which translates to "Do not become proud". This powerful statement serves as a reminder of humility and warns against arrogance or self-importance. It reflects Estienne's commitment to his craft and his belief that knowledge should be shared without pretension. As the official printer to King Francois Ier during his time in Paris before later moving to Geneva, Estienne played a pivotal role in disseminating important works during the Renaissance period. Notably, he published the French Bible in 1553 and contributed significantly to Calvin's writings. This image captures both the spirit of reformation and humanism prevalent during Estienne's era. It symbolizes intellectual growth and celebrates scholars who strive for enlightenment through their work. The intricate details of this woodcut highlight its historical significance while also showcasing the artistic talent of French School craftsmen. Preserved within private collections today, this remarkable piece continues to inspire admiration for Robert Estienne's contributions as a pioneer in printing history.
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