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Cottages (recto), 1816 (graphite with brush & grey & brown inks & white chalk on cream

Cottages (recto), 1816 (graphite with brush & grey & brown inks & white chalk on cream


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Cottages (recto), 1816 (graphite with brush & grey & brown inks & white chalk on cream

877359 Cottages (recto), 1816 (graphite with brush & grey & brown inks & white chalk on cream wove paper) by Constable, John (1776-1837); 9.5x11.2 cm; Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA; (add.info.: Two Studies of a Shepherd (verso)); Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton; English, out of copyright

Media ID 22457080

© Gift of the Manton Art Foundation in memory of Sir Edwin and Lady Manton / Bridgeman Images

Cottages Recto


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EDITORS COMMENTS
This print showcases "Cottages (recto), 1816" by the renowned artist John Constable. The artwork, created with graphite, brush, grey and brown inks, as well as white chalk on cream wove paper, measures 9.5x11.2 cm and is housed at the prestigious Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. The image transports viewers to a serene rural setting in England. The charming cottages depicted exude an undeniable English countryside charm that instantly captivates the imagination. With meticulous attention to detail and skilled use of various mediums, Constable brings these humble dwellings to life on paper. Notably, this particular print also includes a verso featuring "Two Studies of a Shepherd" adding another layer of artistic depth to the piece. This gift from the Manton Art Foundation serves as a tribute to Sir Edwin and Lady Manton's memory. As one gazes upon this exquisite artwork captured by Bridgeman Images, they are transported into a world where time seems suspended; where simplicity meets beauty amidst picturesque landscapes. It is an invitation to explore the idyllic British village life through Constable's masterful sketching technique. This print stands as a testament to Constable's enduring legacy as one of Britain's most celebrated landscape artists while offering viewers an opportunity for quiet contemplation within its tranquil scenes of cottage life in early 19th-century England

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