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Recto: View of the city of Perugia, with the Penitent St Jerome in the foreground, WA1846
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Recto: View of the city of Perugia, with the Penitent St Jerome in the foreground, WA1846
3959788 Recto: View of the city of Perugia, with the Penitent St Jerome in the foreground, WA1846.10 (pen & brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford, UK; (add.info.: Parker II (1956) 34; Macandrew (1980) App.2.34; Gere and Turner (1983) 19); eAshmolean Museum; Italian, out of copyright
Media ID 23260120
© Ashmolean Museum / Bridgeman Images
Old Master Old Masters Studies
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EDITORS COMMENTS
This print showcases the exquisite artwork of Raphael, one of the most renowned painters of the Renaissance era. Titled "Recto: View of the city of Perugia, with the Penitent St Jerome in the foreground" this piece captures a breathtaking scene that transports viewers to 16th-century Italy. The image depicts a panoramic view of Perugia, an ancient city perched on a hilltop. The meticulous attention to detail is evident as every architectural element is meticulously rendered by Raphael's skilled hand. From towering cathedrals and grand palaces to quaint houses nestled along narrow streets, each building comes alive with intricate lines and delicate shading. In the foreground stands St Jerome, depicted in deep contemplation as he engages in penance. This juxtaposition between spirituality and urban life adds depth and symbolism to the composition. Through his masterful use of perspective and composition, Raphael creates a harmonious balance between man-made structures and natural beauty. Housed at Ashmolean Museum in Oxford, UK, this precious artwork offers us a glimpse into Raphael's creative process through its medium – pen & brown ink on white paper. Its historical significance cannot be overstated; it serves as both an invaluable study for future works and a testament to Raphael's artistic genius. As we gaze upon this remarkable print from Fine Art Finder, we are reminded once again why Raphael remains an eternal figure in art history – his ability to capture not only physical landscapes but also emotions and spiritual themes continues to inspire
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