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Portrait of Christine Nilsson in costume, 1860s (b/w photo)
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Portrait of Christine Nilsson in costume, 1860s (b/w photo)
7406860 Portrait of Christine Nilsson in costume, 1860s (b/w photo) by Unknown photographer, (19th century); Royal Academy of Music, London, UK; (add.info.: Carte de visite (visiting cards) of eminent 19th century musicians and other historical figures.
Royal Academy of Music, London, Library, Special Collections); Photo © Royal Academy of Music
Media ID 32105446
© Royal Academy of Music / Bridgeman Images
19th Century Fashion Classical Music Mezzo Soprano Musical Singer Opera Singer Operas Singers Vocalist 19th Mode
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EDITORS COMMENTS
This print showcases the enchanting "Portrait of Christine Nilsson in costume" from the 1860s. The unknown photographer beautifully captures the essence of this eminent 19th-century musician, Christine Nilsson, who was a renowned opera singer and mezzo-soprano. In this portrait, Nilsson exudes grace and elegance as she dons her elaborate costume. Her expressive eyes draw you into her world of music and performance. The attention to detail in her attire reflects the fashion trends of the time, highlighting the sophistication and refinement associated with 19th-century style. The Royal Academy of Music in London proudly houses this remarkable piece in their Special Collections. This carte de visite serves as a testament to not only Nilsson's talent but also to the historical significance of musicians during that era. Ian Brearey skillfully captures every nuance of this photograph, emphasizing its timeless beauty through his expert lens. The monochromatic tones add depth and evoke a sense of nostalgia for an era long gone. As we gaze upon this mesmerizing portrait, we are transported back to a time when classical music reigned supreme, where talented individuals like Christine Nilsson captivated audiences with their melodic voices. It is a tribute to both artistry and history - an exquisite reminder of how one person can leave an indelible mark on our cultural heritage.
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