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A Native Court in Ujili, Tanganyika Territory, Africa, c1930s. Creator: Unknown
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A Native Court in Ujili, Tanganyika Territory, Africa, c1930s. Creator: Unknown
A Native Court in Ujili, Tanganyika Territory, Africa, c1930s. Tanganyika was taken under British rule by a League of Nations Mandate in 1922, gaining independence from the United Kingdom on 9 December 1961. From " Tour of the World". [Keystone View Company, Meadville, Pa. New York, Chicago, London]
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Media ID 19660799
© The Print Collector/Heritage Images
British Overseas Territory Cinematography Court Court Case Court House Court Of Law Courthouse Courtroom East Africa East African Justice Keystone View Company Law Court Local People Stereoscope Tanganyika Tanzania Tour Of The World
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EDITORS COMMENTS
This print takes us back to the 1930s in Ujili, Tanganyika Territory, Africa. The image showcases a Native Court, where justice was served under British rule. Tanganyika gained independence from the United Kingdom in 1961 after being governed as a League of Nations Mandate since 1922. The scene depicts an interior filled with local people seated around tables, creating an atmosphere of solemnity and importance. A group of men can be seen engaged in a court case, their expressions reflecting both determination and curiosity. The furniture is simple yet functional, emphasizing the practical nature of this space dedicated to upholding justice. The photographer's identity remains unknown; however, their skillful cinematography captures the essence of colonialism during that era. This thought-provoking image invites viewers to contemplate the complexities surrounding power dynamics between indigenous communities and foreign rulers. As we gaze upon this vintage photograph today, it serves as a reminder of our shared history and how far we have come since then. It also prompts us to reflect on the resilience and strength demonstrated by those who fought for independence across Africa. This print is part of "Tour of the World" published by Keystone View Company based in Meadville, Pennsylvania. Its inclusion within this collection highlights its significance as not just an individual piece but as part of a larger narrative documenting various cultures worldwide through stereoscopic imagery.
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