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Root of the columbo or calumba plant, Cocculus palmatus

Root of the columbo or calumba plant, Cocculus palmatus


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Root of the columbo or calumba plant, Cocculus palmatus

Root of the columbo or calumba plant, Cocculus palmatus.. Illustration drawn by Mrs. C. Telfair and Professor Bojer, engraved by Swan. Handcolored copperplate engraving from William Curtiss The Botanical Magazine, Samuel Curtis, 1830

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14206941

© Florilegius / Mary Evans

1830 Curtis Hooker Jackson Professor Root Calumba Cocculus Columbo Telfair


EDITORS COMMENTS
This stunning handcolored copperplate engraving, titled "Root of the Columbo or Calumba Plant, Cocculus palmatus," is an exquisite example of botanical illustration from the early 19th century. The illustration was drawn by Mrs. C. Telfair and Professor Bojer and beautifully engraved by Swan, making it a true collaboration between art and science. The image was published in William Curtis's renowned botanical publication, "The Botanical Magazine," in 1830. Cocculus palmatus, also known as the Columbo or Calumba plant, is a small shrub native to the West Indies and Central and South America. The plant's roots were highly valued in traditional medicine for their sedative and antispasmodic properties. The root was used to treat various ailments, including nervous disorders, colic, and even epilepsy. The intricate detail of the root system depicted in this illustration is truly breathtaking. The delicate lines and precise shading showcase the complex network of roots, highlighting their unique texture and form. The rich colors used in the handcoloring add depth and dimension to the image, bringing the root to life and making it a true work of art. This historical botanical illustration is a testament to the importance of botanical exploration and documentation during the colonial era. It provides a glimpse into the natural world of the past and showcases the beauty and intricacy of the natural world. The collaboration between Telfair, Bojer, Swan, and Curtis demonstrates the interconnectedness of art, science, and exploration during this period in history. William Jackson Hooker, a prominent botanist and the editor of "The Botanical Magazine" from 1840 to 1844, would have been familiar with this illustration and the important role it played in documenting and preserving the natural world for future generations.

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