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A T-55 tank with two children playing on it in Benghazi, Libya

A T-55 tank with two children playing on it in Benghazi, Libya


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A T-55 tank with two children playing on it in Benghazi, Libya

A T-55 tank on the seafront in Benghazi, Libya with two children playing on it.
A war betwean Gaddafi army and Libyas Transitional National Council army with air support from NATO started on March 17, 2011

Stocktrek Images specializes in Astronomy, Dinosaurs, Medical, Military Forces, Ocean Life, & Sci-Fi

Media ID 13022765

© Andrew Chittock/Stocktrek Images

Anti Gaddafi Forces Armored Fighting Vehicles Armored Vehicles Army Artillery Battle Battle Tanks Battletank Benghazi Child Children Civil War Civilian Combat Vehicles Conflict Crisis Gaddafi Forces Gun Barrel Imperialism Intervention Libya Libyan Armed Forces Libyan Civil War Main Battle Tanks Middle East Muammar Gaddafi National Liberation Army National Transitional Council Nato North Africa On Top Of Operation Odyssey Dawn Parked Playing Politics Rebellion Russian Seaport Sitting Soviet Static Stationary T 55 Tank Transitional National Council Turret Uprising Weapon Foreign Military Peace Sign Rebels


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> Africa > Libya > Benghazi

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EDITORS COMMENTS
This print captures a poignant moment in the midst of chaos. In Benghazi, Libya, a T-55 tank stands stoically on the seafront, serving as an eerie reminder of the ongoing war between Muammar Gaddafi's forces and Libya's Transitional National Council army. Against this backdrop, two innocent children find solace and amusement atop the armored vehicle. As conflict rages around them, these brave youngsters defy fear by playfully engaging with their surroundings. Sitting confidently on the tank's stationary turret, they symbolize resilience amidst turmoil. Their laughter echoes through the air as they create their own world within this war-torn landscape. The image serves as a stark reminder of the impact that armed conflicts have on civilians caught in its crossfire. It highlights both the vulnerability and strength displayed by those affected by such violence. In this single frame captured by Andrew Chittock, we witness not only a snapshot of Libyan history but also a universal message about hope and innocence enduring even in times of darkness. The juxtaposition between childhood innocence and military might invites contemplation on themes of power dynamics and humanity's capacity for compassion amid destruction. Ultimately, this photograph challenges us to reflect upon our role in shaping peaceful futures for generations to come – reminding us that even amidst chaos, there is always room for peace to prevail.

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