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Der Bapstesel zu Rom (The Papal Ass or The Pope Ass of Rome), 1523
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Der Bapstesel zu Rom (The Papal Ass or The Pope Ass of Rome), 1523
Der Bapstesel zu Rom (The Papal Ass or The Pope Ass of Rome), 1523. Private Collection
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Media ID 15047485
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Absolution Anti Roman Catholic Calvin Catholic Church Cranach German History Hell History Of Germany Indulgence Lucas Luther Pope Protestantism Reformation Seven Deadly Sins Sinner The Elder 1472 1553
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EDITORS COMMENTS
The print captures a powerful and controversial artwork from 1523 titled "Der Bapstesel zu Rom (The Papal Ass or The Pope Ass of Rome)". Created by Lucas Cranach the Elder, this woodcut is a scathing satire that reflects the tumultuous times of the Reformation in Germany. Depicting an allegorical scene, the image portrays a donkey dressed as the Pope being ridden by various figures representing sinners. This provocative piece symbolizes criticism towards the Catholic Church's indulgences and corruption during medieval times. It serves as a visual commentary on religious hypocrisy and societal sins prevalent at that time. Cranach's work played a significant role in spreading Protestant ideas during this period of religious upheaval. Its impact can be seen through its inclusion of Martin Luther, one of the key figures in initiating the Reformation movement against Roman Catholicism. This particular print belongs to a private collection and offers viewers an opportunity to delve into German history and explore Renaissance art infused with political messages. By examining "Der Bapstesel zu Rom", we gain insights into how art was used as a tool for social critique, reflecting both mythological elements and literary influences prevalent during those times. Overall, this woodcut invites contemplation about power dynamics within religion while shedding light on historical events that shaped Germany's cultural landscape during the Middle Ages.
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