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Death Strangling a Victim of the Plague. From the Stiny Codex, 14th century. Artist: Anonymous
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Death Strangling a Victim of the Plague. From the Stiny Codex, 14th century. Artist: Anonymous
Death Strangling a Victim of the Plague. From the Stiny Codex, 14th century. Found in the collection of University Library, Prague
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Media ID 15025290
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Czechia History Of Medicine Illuminated Art Illuminated Manuscript Manuscript Illumination Medieval Art Medieval Illuminated Letter Miniature Plague Prague University Library Watercolour On Parchment
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Caption: "Death Strangling a Victim of the Plague, an illuminating medieval masterpiece from the 14th century Stiny Codex. This haunting artwork, created by an anonymous artist, captures the grim reality of one of history's deadliest pandemics. Found in the esteemed collection of University Library in Prague, this watercolor on parchment painting is a testament to both artistic skill and historical significance. In this vividly detailed scene, Death personified mercilessly strangles a victim afflicted by the devastating plague that ravaged Europe during the Middle Ages. The artist masterfully depicts Death as a skeletal figure draped in dark robes, symbolizing mortality's omnipresence amidst suffering and despair. The delicate brushstrokes and intricate details showcased in this illuminated manuscript exemplify the craftsmanship prevalent during medieval times. The use of vibrant colors against a backdrop of gold leaf adds depth and richness to this allegorical representation. This piece not only serves as a reminder of humanity's vulnerability but also highlights how art has been used throughout history to explore themes such as life, death, and mythology. It stands as an important artifact within Czechia's cultural heritage and provides valuable insights into both medical practices and societal beliefs during that era. Preserved for centuries within University Library's archives, this rare gem continues to captivate viewers with its profound message about mortality while offering glimpses into our collective past. "
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